The Gibson Brothers

Backroom concert

Must have valid photo ID to verify age (21+) and identity at the door.

This show is standing room only.

Event Door Time: September 29th, 2023 – 7:00pm
Ticket Price: Advanced: $20/ Day of: $25- Tickets available at Etix.com and Bell’s General Store

About the artist:

There’s a reason why Ricky Skaggs pulled Eric and Leigh Gibson off the stage at the Ryman two decades ago and offered to produce their debut record. The same thing that led David Ferguson and Grammy Award winning producer and Black Keys front man Dan Auerbach to co-write and produce their 14th album “Mockingbird” (2018) and release it on his own label Easy Eye Sound alongside cultural icons such as Hank Williams Jr. and Dr. John: the Gibson Brothers are the real deal. They can pick. They can sing. And they can write a damn good country song. They’ve won about every bluegrass award you can name and released albums on almost every premier Americana label you can think of including Sugar Hill and Rounder, and, if that’s not enough, their songs have been recorded by bluegrass legends no less than Del McCoury. It’s a resume almost anybody in country music would be proud to have. But despite all of this, the Gibson Brothers are not yet household names.

Their latest album, “Darkest Hour,” produced by dobro master Jerry Douglas might just change that. As soon as you hear Leigh singing with Alison Krauss [“I Feel The Same Way As You”] on the new project you realize that his voice is as good as anyone in music today.  Add the brother harmony to that and they have something truly unique. While “Mockingbird” featured gorgeous production, recreating the sound on stage was difficult. “We put together a little band to go out and try to recreate it,” Eric told me, but we couldn’t. We would have to have such a huge band to try to recreate that record, but we did the best we could.

The result is arguably the strongest record The Gibson Brothers have ever made. The songs recorded in the first recording period featured Mike Barber (bass), Justin Moses (mandolin),Eamon McGloughlin (fiddle), and of course, Jerry Douglas, adding in John Gardner (drums),Guthrie Trapp (electric guitar), and Todd Parks (bass) for the final tracks, “Darkest Hour “showcases just how easily Eric and Leigh move from what Dan Auerbach dubbed “country soul”(“I Go Driving”) to high octane bluegrass (“What a Difference a Day Makes” and “Dust”) with Douglas always keeping the spotlight on the songs themselves.

Their talent level is well-established, and for the Gibson Brothers, they just want to keep writing, singing, and standing on a stage.